First-person/found-footage/point-of-view (POV) style movies don’t bother me as much as they do some horror fans. Sure, not all of them are good, but I don’t avoid a horror movie if I see that it is POV.
Last year when I learned of 388 Arletta Avenue, all I knew of the movie was that it was a horror movie with Devon Sawa and Nick Stahl–two actors I really like. I was also intrigued because, despite it being out for a few years, I hadn’t heard of it. After doing some (non-spoiler) research online, I was surprised to see many favorable reviews of it. Continue reading
Not a bad looking cover, but I was tired of looking at it so I wanted to go ahead and watch this so I could delete it from my queue.
This is yet another Netflix movie that I saw knowing nothing of the plot. I put it in my queue ages ago, based purely upon the mediocre star rating (which mediocre star ratings on Netflix for horror movies are usually an indication of a decent movie). I finally got myself in the right mood to watch a marginally unknown cast deliver try and deliver some horror on a slim budget. Continue reading
I somehow managed to go nearly 30 years without viewing this gem. As a child, I remember the Sorority House Massacre VHS cover in the rental store and thought it looked pretty menacing. An aside, I first began watching scary movies as a young girl, mostly enjoying USA’s Up All Night and TNT’s Monstervision weekend B-movie series. So I rarely actually checked movies out from the rental stores until I was older. But when my dad and I would peruse the stores after school, I would usually wander off into the horror section and admire the glorious 80s cover art. I digress…
When I saw this cover posted in Netflix, I instantly remembered it from when I was a child and realized I had never actually watched it and added it to my queue. I didn’t let it hang out there for long and sat down to watch it the following weekend. Continue reading
I don’t know who this ethereal woman is, and levitating and fog have absolutely nothing to do with this film’s story, but I still really liked this movie!
As much as it pangs me to admit, and despite the fact that I will probably receive a lot of criticism for my approval, I really did enjoy Haunting in Connecticut 2: Ghosts of Georgia. I’m a supporter of all production categories of the horror film genre; I truly enjoy B-movies, low budgets, direct-to-video/streaming, indie, and yes even mainstream horror. I do think that mainstream horror has gotten a bad wrap in recent years (with the exception of some–for example, James Wan) but generally, I have liked much of the big budget horror I have seen recently.
Two other reasons I enjoyed this Ghosts of Georgia: 1) the ghost story is my favorite sub-genre of horror and 2) I’m from Georgia. I was interested in the historical aspect of the south because–I’m not biased or anything–but I think the south has such a rich (and albeit unsavory) history, I was interested in how it would be depicted in this movie. Continue reading
I first tried to watch Antichrist over a year ago. The movie had a decent star rating on Netflix and I had heard horror fans buzzing about it so I definitely wanted to give it a shot. My boyfriend and I sat down to watch this on a Saturday evening knowing nothing of the plot details–I don’t think we even read the full description on Netflix.
The intro of the film was entirely uncomfortable for me. The scene alternates between Dafoe and Gainsbourg’s characters being intimate while their young son Nic, toddles around, eventually falling out the second-story window. The sex scene is unnecessarily graphic and actually shows penetration (although from model actors, not our stars). To add to the atmosphere, the scene is shot in black-and-white and is also set to opera music–cue the pretentious tone for the entire film.